Apparently it is for much of Scandinavia. But that turns out to be the biggest laugh in the movie, unless severed heads bouncing across car hoods and the young Allan dancing with General Franco in Spain and getting drunk with Stalin in Russia is your sort of shtick. The film opens with grumpy Allan Karlsson (Robert Gustafsson), an explosives freak who lives alone in the hinterlands, getting revenge on a fox that eats Allan’s beloved cat Molotov by blowing the fox to bits. Since its 2013 domestic release, the kooky tale of a centenarian who flees a nursing home and goes on a series of misadventures has been a box office bonanza vying to become the top-grossing Swedish film of all time, a record held by “The Girl With the Dragon Tattoo.” But in Sweden, “The 100-Year-Old Man Who Climbed Out of the Window and Disappeared” has apparently struck a chord of national pride. TM & Copyright ©20th Century Fox EXTREMELY LOUD AND INCREDIBLY CLOSE, from left: Max von Sydow, Thomas Horn, 2011.When most audiences think of Swedish films, often it’s dour Ingmar Bergman or “The Girl With the Dragon Tattoo” franchise. TM & Copyright THE NIGHT VISITOR, (aka PAPEGOJAN), Max Von Sydow, 1971 THE MAGICIAN, (aka ANSIKTET), from left: Bengt Ekerot, Max Von Sydow, 1958 THE QUILLER MEMORANDUM, Max von Sydow (left), George Segal (in chair), 1966. THE GREATEST STORY EVER TOLD, Max von Sydow, 1965 MARCH OR DIE, Max Von Sydow, 1977 THE GREATEST STORY EVER TOLD, Max von Sydow, 1965 HAWAII, Julie Andrews, Max Von Sydow, 1966 HAWAII, Max von Sydow, Gene Hackman (in background), Julie Andrews, Jocelyne LaGarde, 1966 THE REWARD, Max von Sydow, 1965, (c) 20th Century Fox. THE TOUCH, (aka BERORINGEN), from left, Max von Sydow, Bibi Andersson, 1971 THREE DAYS OF THE CONDOR, Max von Sydow, 1975. THE TOUCH, (aka BERORINGEN), Max von Sydow, 1971 UNTIL THE END OF THE WORLD, Max von Sydow, Jeanne Moreau, 1991. TM and Copyright (c) 20th Century Fox Film Corp. HAWAII, Max von Sydow, Julie Andrews, 1966 HAWAII, Max von Sydow, 1966 HAWAII, Julie Andrews, Max von Sydow, 1966 QUILLER MEMORANDUM, Senta Berger, George Segal, Max Von Sydow, 1966. Liv & Ingmar Photos HAWAII, Julie Andrews, Max von Sydow, 1966. Max Von Sydow died in his adopted home of Provence, France on Maat the age of 90. He showed no signs of slowing down even into his 80s, appearing in Martin Scorsese's "Shutter Island" (2010), an episode of "The Simpsons" (Fox 1990- ), and "Star Wars: The Force Awakens" (2015). His career spanned long after that triumph, including films ranging from medical drama "Awakenings" (1990) to science fiction thriller "Minority Report" (2002) to indie character study "The Diving Bell and the Butterfly" (2007). Following this, he was able to branch out and explore a variety of compelling roles, which culminated in an Academy Award nomination for his performance in "Pelle the Conqueror" (1988), which only confirmed the notion of von Sydow being Sweden's modern-day Laurence Olivier. He finally had a breakthrough playing the titular role in "The Exorcist" (1973), playing the immortal Father Merrin in a film that forever cemented von Sydow into cinema history. When von Sydow crossed the Atlantic to appear in Hollywood films, however, he was initially consigned to playing stern, unsympathetic characters. The actor and director continued their collaboration for the next several years, churning out complicated and often surreal films like "The Magician" (1958) and "The Virgin Spring" (1960) that earned international accolades and awards. Both von Sydow and Bergman triumphantly emerged onto the international film scene with "The Seventh Seal" (1957), an existential meditation on death that was long after considered to be one of the greatest foreign films ever made. After his training at Stockholm's Royal Dramatic Theatre School, actor Max von Sydow became recognized as his native Sweden's foremost film star, thanks to his long-running collaboration with acclaimed director Ingmar Bergman.
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